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Teaching Knowledge Without Giving It Away: Protecting the Value of Aboriginal and Torres Strait Islander Businesses

  • TJC
  • Jul 28
  • 3 min read

Updated: 3 hours ago

Laura Melrose and Sarah Thomson


Aboriginal and Torres Strait Islander businesses bring unique value to all industries, across creativity, commerce, research, and innovation. Many businesses draw on cultural knowledge, lived experience and culturally informed practices to deliver specialised advice, services and training. It is important to ensure that these products, and the knowledge bases that underpin them, are safeguarded into the future with appropriate intellectual property (IP) and copyright protections.

 

The knowledge behind the business


Cultural advice, services and training raise real copyright and IP questions for business holders from the outset. These services often involve ICIP: Indigenous Cultural and Intellectual Property, including stories, teaching methods, protocols, and ways of thinking that belong to an Aboriginal or Torres Strait Islander nation, group or community.

 

Every cultural training program, every workshop, every set of resources, represents something significant. They are the product of lived experience, community knowledge, cultural protocols, and sometimes generations of practice and knowledge sharing.

 

Unfortunately, standard Australian IP law wasn't written with this kind of knowledge in mind. IP law generally protects specific material things, like a document or a registered brand name. It doesn't naturally protect a methodology, a cultural framework, or the deeper knowledge underpinning a program. That gap is where many cultural service providers find themselves exposed.

 

At TJC, we often work with Aboriginal and Torres Strait Islander businesses who are responding to this growing demand for their expertise. These businesses want to share important messages, build cultural competency and improve outcomes for Aboriginal and Torres Strait Islander people across Australia. However, many are concerned that sharing valuable frameworks, resources and culturally informed processes might affect their ability to control and commercially benefit from the uniqueness of their work.

 

Common risks in cultural service delivery


We often see issues arise when:

  • training materials or resources are copied, shared or adapted without permission;

  • workshop participants share learning resources or reuse materials beyond what was intended;

  • verbal agreements and goodwill are relied on instead of clear terms;

  • staff or contractors who helped deliver or develop a program leave with business frameworks, templates or confidential processes; or

  • businesses use third-party cultural content without understanding who owns it or whether permission is required.

 

Sharing knowledge and protecting it aren't opposites


Aboriginal and Torres Strait Islander businesses want their work to make a genuine difference, building cultural competency and better outcomes for Aboriginal people right across the country, but they also need their business to be sustainable. A strong IP and ICIP strategy supports both goals.

 

A strong IP and ICIP strategy allows businesses to:

  • Set clear terms with clients and partners about what can and can't be reused, adapted, or passed on

  • Protect brand and reputation through trademarks and clear attribution

  • Build ICIP protocols directly into materials and processes

  • Manage and balance confidentiality and sharing content

 

Thinking about IP and ICIP early can help Aboriginal and Torres Strait Islander businesses manage risks while continuing to share their knowledge and grow their impact. Our work with the Indigenous Desert Alliance (IDA) shows how practical legal protections can support this balance.


Pictured: Munga-Thirri, Simpson Desert
Pictured: Munga-Thirri, Simpson Desert

 

Case Study: Indigenous Desert Alliance


TJC worked with Indigenous Desert Alliance (IDA) to protect the unique intellectual property behind its Capturing the Yarn program.

 

IDA, an Indigenous controlled, member based organisation that connects Aboriginal organisations and rangers across the Australian desert, and supports successful and impactful ranger programs. IDA developed Capturing the Yarn, a program to measure and evaluate the impact of projects in a culturally safe way. Capturing the Yarn is the result of years of work across two worlds – combining subject matter expertise, extensive research, culturally informed methodologies, and Aboriginal concepts and ways of thinking.

 

IDA wanted to share the knowledge and benefits of Capturing the Yarn with clients and partners, while protecting the program they had worked so hard to build. Laura Melrose, Senior Solicitor at TJC worked closely with IDA to map the intellectual property and cultural content embedded the program, and provide tailored recommendations relating to copyright, licensing, ICIP, and confidentiality. TJC also successfully registered two trade marks for Capturing the Yarn, strengthening its recognisability and brand identity in the market.

 

The result: a high-impact program backed by a robust IP and ICIP strategy – closely tied to IDA’s national reputation, and ready to be shared with confidence.

 

Conclusion


IDA’s experience highlights that protecting IP and ICIP does not have to be a daunting task. Businesses can start small, and over time, develop broader strategies, such as licensing models, trade mark protection and policies for managing IP, ICIP and confidential information.

 

If this work is of interest to you, we are hosting a Law Way session on practical tools Aboriginal and Torres Strait Islander businesses can use to protect their IP and ICIP.



 
 
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All professional photography by Jamie James at James Photographic Services, and Stephen Wilson Barker, and Presence Productions.​

The painting 'Terri - Butterfly Flowers Dreaming' by Bibi Barba has been used under license in the firm photographs, including for staff profiles.

The painting  'Ancient Tracks and Waterholes' (2019) by Rene Kulitja has been used under license in some firm photographs on the TJC website homepage, staff profiles, careers and services pages. Visit Maruku Arts for more work by Rene Kulitja.

The visual artwork ‘Freshwater Lagoon 1’ by Lisa Michl Ko-manggen has been used under license in some photographs and videos. Visit Cape York Art for more work by Ko-manggen.

The painting ‘My Country’ by Bibi Barba has been used under license in some photographs and Law Way videos. Visit Bibi's website.

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​Disclaimer: The information found on our Website and Blog is of a general nature and is not intended to be legal advice on specific matters. Although we attempt to provide accurate and timely information, we do not guarantee that the information in this article is accurate at the date it is received or that it will continue to be accurate in the future. Contact us for advice on a specific matter.

CREDITS

Terri Janke and Company acknowledge the Traditional Owners of the lands on which we live and work.
We acknowledge the Bidjigal People, the custodians of the Country where our office is located.

We extend our respect to all Aboriginal and Torres Strait Islander peoples throughout Australia. We recognise their ongoing connection to land, sea and skies. We pay our respects to their knowledge, and to the Elders past and present.​

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